Irene looks into a mystery involving a group of avant-garde women artists who’ve been forgotten. The Ministry discovers the Vampire of Raval is free.
A Velázquez painting is auctioned off in 2016. The only problem is it burned in a 1734 fire. The team heads to the Alcázar of Madrid to investigate.
The team travels to 1920s New York, into the world of magic and Houdini, as the Ministry’s own existence is placed in peril.
